Midori French Violin Sonatas - Debussy / Poulenc / Saint - Saens
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CD Details
- Released: August 27, 2002
- Originally Released: 2002
- Label: Sony Masterworks
Tracks:
- 1.Sonata for violin & piano, FP 119: 1. Allegro con fuoco
- 2.Sonata for violin & piano, FP 119: 2. Intermezzo. Très lent et calme
- 3.Sonata for violin & piano, FP 119: 3. Presto tragico
- 4.Sonata for violin & piano, L. 140: 1. Allegro vivo
- 5.Sonata for violin & piano, L. 140: 2. Intermède. Fantasque et léger
- 6.Sonata for violin & piano, L. 140: 3. Finale. Très animé
- 7.Sonata for violin & piano No. 1 in D minor, Op. 75: 1. Allegro agitato - Adagio
- 8.Sonata for violin & piano No. 1 in D minor, Op. 75: 2. Allegretto moderato - Allegro molto
Product Description:
The Debussy Sonata, written in 1917 and his final work, is a unique masterpiece. Free yet coherent in form, infinitely imaginative, it combines languid sensuousness, assertive vitality, and sardonic grotesquerie. One would never guess that he was battling illness and the ravages of war at the time. Clearing its formidable technical hurdles with consummate ease, Midori brings out the work's color, character, and expression, taking great liberties with tempo and rhythm, but carefully avoiding exaggeration.
The Saint-Saëns Sonata, written in 1885, is a bravura piece for both instruments, but its rapturous melodies, original rhythms, and expressive contrast give it weight and substance. Its four movements are linked in pairs; the first alternates menacing drama with soaring lyricism, the second is a songful Aria, the third a charming Scherzo. In the Finale, the players chase each other in a marathon "perpetual motion," broken by an occasional melodic outburst in the violin. Naturally, the performance is dazzling, but even here, Midori succeeds in making the brilliance subservient to the music. The record's only flaw is the balance: the piano consistently overpowers the violin. --Edith Eisler