Ton Koopman Handel: Tu Fedel Tu Costante Hwv 171A & Other
Price: | $17.10 |
List Price: |
|
You Save: | $1.89 (10% Off) |
Available:
Usually ships in 3-5 business days
Brand New
|
CD Details
- Released: November 11, 2016
- Originally Released: 2016
- Label: Double Moon
Tracks:
- 1.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Recitativo Tu fedel? tu costante?
- 2.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Aria Cento belle ami, Fileno
- 3.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Recitativo L’occhio nero vivace
- 4.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Aria Se Licori, Filli ed io
- 5.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Recitativo Ma se non hai più d’un sol core
- 6.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Aria Se non ti piace amarmi
- 7.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Recitativo Ma il tuo genio incostante
- 8.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTu fedel, tu costante, HWV 171a: Aria Sì, crudel, ti lascerò
- 9.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTacete, ohimè, tacete, HWV 196: Tacete, ohimè, tacete!
- 10.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTacete, ohimè, tacete, HWV 196: Non sia voce importuna
- 11.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraTacete, ohimè, tacete, HWV 196: Sol quando dorme Amore
- 12.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraDalla guerra amorosa, HWV 102a: Recitativo Dalla guerra amorosa
- 13.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraDalla guerra amorosa, HWV 102a: Aria Non v’alletti un’occhio nero
- 14.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraDalla guerra amorosa, HWV 102a: Recitativo Fuggite, sí fuggite
- 15.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraDalla guerra amorosa, HWV 102a: Aria La bellezza è come un Fiore
- 16.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraDalla guerra amorosa, HWV 102a: Recitativo Fuggite, sì fuggite
- 17.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraPensieri notturni di Filli: Nel dolce dell’oblio, HWV 134: Recitativo Nel dolce dell’oblio
- 18.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraPensieri notturni di Filli: Nel dolce dell’oblio, HWV 134: Aria Giacché il sonno a lei dipinge
- 19.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraPensieri notturni di Filli: Nel dolce dell’oblio, HWV 134: Recitativo Così fida ella vive al cuor
- 20.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraPensieri notturni di Filli: Nel dolce dell’oblio, HWV 134: Aria Ha l’inganno il suo diletto
- 21.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraGiù nei Tartarei regni, HWV 187: Giù nei Tartarei regni
- 22.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraGiù nei Tartarei regni, HWV 187: Io ch’ardendo mi sfaccio
- 23.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraAure soavi, e liete, HWV 84: Recitativo Aure soavi e liete
- 24.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraAure soavi, e liete, HWV 84: Aria Care luci, che l’alba rendete
- 25.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraAure soavi, e liete, HWV 84: Recitativo Pietà, Clori, pietà!
- 26.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraAure soavi, e liete, HWV 84: Arietta Un aura flebile
- 27.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraCuopre tal volta il cielo, HWV 98: Accompagnato Cuopre tal volta il cielo
- 28.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraCuopre tal volta il cielo, HWV 98: Aria Tuona, ballena, sibila il vento
- 29.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraCuopre tal volta il cielo, HWV 98: Recitativo Così fiera procella dà rio tormento
- 30.Ton Koopman, Yetzabel Arias Fernandez, Klaus Mertens & Amsterdam Baroque OrchestraCuopre tal volta il cielo, HWV 98: Aria Per pietà di miei martiri
Product Description:
Sometime in late 1705 or 1706 Georg Friedrich Handel, like many German composers before him, travelled to Italy, then the fountainhead of European music. During the next three years he paid extended visits to Rome and also spent time in Florence, Venice and Naples. In 1709-10, perhaps after a year back in Hamburg, he returned once again to Florence and Venice. Rather than studying with some Italian master, as others had done, he quickly established himself as a virtuoso performer and composer, enjoying the support of leading patrons and composing numerous cantatas. Lost music from Handels years in Italy rarely comes to light. So it was with considerable excitement that in 2015 scholars found themselves looking at a previously unknown and largely different version of the cantata Tu fedel? Tu constante?, HWV 171 uniquely preserved in a manuscript belonging to Ton Koopman. This cantata is the complaing of an injured love. Both Handel settings of this text are for soprano, but in HWV 171a, the accompanying ensemble includes an oboe in addition to the two violins and continuo found in HWV 171. As an organist and harpsichordist Ton Koopman has appeared in the most prestigious concert halls of the world and played the most beautiful historical instruments of Europe. At the age of 25, he created his first baroque orchestra; in 1979 he founded the Amsterdam Baroque Orchestra followed in 1992 by the Amsterdam Baroque Choir. He has recorded an enormous number of records, and is Professor at the University of Leiden, Honorary Member of the Royal Academy of Music in London and artistic director of the Festival Itineraire Baroque.