Edward Higginbottom Lalande:De Profundis Grands Motets
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CD Details
- Number of Discs: 2
- Released: January 26, 2018
- Originally Released: 2018
- Label: Erato
Tracks on Disc 1:
- 1.De Profundis, S. 23: "De profundis clamavi" (Baritone, Chorus) [Arr. Sawkins]
- 2.De Profundis, S. 23: "Fiant aures tuae intendentes" (Quartet) [Arr. Sawkins]
- 3.De Profondis, S. 23: "Si iniquitates observaveris" (Tenor)
- 4.De Profundis, S. 23: "Quia apud te propitiatio" (Trio) [Arr. Sawkins]
- 5.De Profundis, S. 23: "Sustinuit anima mea" (Soprano, Oboe) [Arr. Sawkins]
- 6.De Profundis, S. 23: "A Custodia matutina" (Chorus) [Arr. Sawkins]
- 7.De Profundis, S. 23: "Quia apud Dominum misericordia" (Countertenor, Flute) [Arr. Sawkins]
- 8.De Profundis, S. 23: "Et ipse redimet ... Requiem aeternam" (Chorus) [Arr. Sawkins]
- 9.Miserere, S. 120 for Soprano, Chorus and Continuo
- 10.Confitebor Tibi Domine, S. 56: "Confitebor tibi Domine" (Tenor, Baritone, Violin)
- 11.Confitebor Tibi Domine, S. 56: "Magna opera Domini" (Chorus)
- 12.Confitebor Tibi Domine, S. 56: "Confessio et magnificentia" (Countertenor, Violin)
- 13.Confitebor Tibi Domine, S. 56: "Memoriam fecit" (Baritone)
- 14.Confitebor Tibi Domine, S. 56: "Memor erit in saeculum" (Chorus)
- 15.Confitebor Tibi Domine, S. 56 : "Fidelia omnia" (Baritone, Violin)
- 16.Confitebor Tibi Domine, S. 56: "Redemptionem misit populo suo" (Soprano, Chorus)
- 17.Confitebor Tibi Domine, S. 56: "Sanctum, et terribile nomen ejus" (Quartet)
- 18.Confitebor Tibi Domine, S. 56: "Intellectus bonus omnibus" (Tenor, Chorus)
- 19.Confitebor Tibi Domine, S. 56: "Gloria Patri et Filio" (Chorus)
Tracks on Disc 2:
- 1.Beati quoru remissae sunt, S. 5: "Beati quorum remissae sunt" (Bass, Tenor, Chorus)
- 2.Beati quorum remissae sunt, S. 5: "Quoniam tacui, inveteraverunt" (Bass, Chorus, Countertenor, Sopra
- 3.Beati quorum remissae sunt, S. 5: "Delictum meum cognitum" (Bass, Tenors)
- 4.Beati quorum remissae sunt, S. 5: "Pro hac orabit ad te omnis sanctus" (Soprano, Countertenor)
- 5.Beati quorum remissae sunt, S. 5: "Verumtamen in diluvio" (Chorus)
- 6.Beati quorum remissae sunt, S. 5: "Tu es refugium meum" (Tenor)
- 7.Beati quorum remissae sunt, S. 5: "Intellectum tibi dabo" (Bass)
- 8.Beati quorum remissae sunt, S. 5: "Nolite fieri sicut equus et mulus" (Chorus, Bass, Countertenor, S
- 9.Beati quorum remissae sunt, S. 5: "Multa flagella peccatoris" (Bass, Soprano, Tenor)
- 10.Beati quorum remissae sunt, S. 5: "Laetamini in Domino et exultate justi" (Tenor, Chorus, Counterten
- 11.Quam dilecta, S. 12: "Quam dilecta tabernacula tua" (Tenors)
- 12.Quam dilecta, S. 12: "Concupiscit et deficit anima mea in atria" (Bass, Tenor, Chorus)
- 13.Quam dilecta, S. 12: "Cor meum et caro mea exultaverunt in deum vivum" (Bass, Chorus, Tenor)
- 14.Quam dilecta, S. 12: "Beati qui habitant in domo tua" (Bass, Chorus, Tenors, Soprano, Countertenor)
- 15.Quam dilecta, S. 12: "Beatus vir cujus est auxilium" (Tenor, Bass)
- 16.Quam dilecta, S. 12: "Domine, deus virtutum" (Bass, Tenors, Soprano)
- 17.Quam dilecta, S. 12: "Protector noster, aspice, Deus" (Soprano, Chorus, Countertenor, Bass, Tenors)
- 18.Quam dilecta, S. 12: "Domine virtutum, beatus homo" (Bass, Tenor, Chorus)
- 19.Audite caeli quae loquor, S. 7: "Audite caeli quae loquor" (Bass, Tenor)
- 20.Audite caeli quae loquor, S. 7: "Concrescat ut pluvia doctrina" (Bass, Chorus)
- 21.Audite caeli quae loquor, S. 7: "Nomen Domini invocabo" (Tenor, Chorus, Soprano, Bass)
- 22.Audite caeli quae loquor, S. 7: "Peccaverunt ei generatio prava atque perversa" (Bass, Tenor)
- 23.Audite caeli quae loquor, S. 7: "Vidit Dominus et ad iracundiam concitatus est" (Bass)
- 24.Audite caeli quae loquor, S. 7: "Foris vastabit eos gladius" (Bass, Chorus)
- 25.Audite caeli quae loquor, S. 7: "Videte quod ego sim solus" (Bass)
- 26.Audite caeli quae loquor, S. 7: "Judicabit Dominus populum suum" (Soprano, Countertenor, Bass, Tenor
- 27.Audite caeli quae loquor, S. 7: "Laudate gentes populum ejus" (Soprano, Chorus, Bass, Tenor, Counter
Product Description:
Michel-Richard de Lalande was the leading composer of sacred music at the French court during the 17th Century. His Grands motets – he composed 77 - dominated the repertory of the Royal Chapel during his lifetime and after, until the 1770s in the programmes of the Concert Spirituel in Paris. His works are marked by both expressive harmonic vocabulary and contrapuntal mastery, which is exemplary in this set.