White Noise (Blu-ray) PG-13
The line separating the living from the dead has been crossed.
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Blu-ray Details
- Rated: PG-13
- Run Time: 1 hours, 38 minutes
- Video: Color
- Encoding: Region A
- Released: February 19, 2019
- Originally Released: 2019
- Label: Universal Studios
Performers, Cast and Crew:
Starring | Michael Keaton, Deborah Kara Unger, Chandra West & Ian McNeice | |
Performer: | Nicholas Elia, Sarah Strange, Mike Dopud, Mitchell Kosterman, Keegan Connor Tracy, Miranda Frigon, April Telek & Aaron Douglas | |
Directed by | Geoffrey Sax | |
Screenwriting by | Niall Johnson | |
Composition by | Claude Foisy | |
Produced by | Paul Brooks & Shawn Williamson | |
Director of Photography: | Chris Seager | |
Executive Production by | Scott Niemeyer, Norm Waitt & Stephen Hegyes |
Entertainment Reviews:
Rating: 2/5 --
Dumb would-be thriller -- save your money.
Full Review
Common Sense Media
Rating: 1/4 --
Koel Purie has a nice blithe presence. Unfortunately, White Noise does not prove to be an adequate stage for her.
Full Review
Outlook
Rating: 2/5 --
Is the movie scary? Only if this is your first scary movie.
Full Review
eFilmCritic.com
This is one big missed opportunity.
Full Review
Cinema Crazed
White Noise is little more than an old-fashioned ghost story with a newfangled twist.
Full Review
AV Club
It's a typical case of the kind of movie which gets launched these days on the strength of a one-sentence pitch. Having got all dressed up, it finds that it has absolutely nowhere to go.
Full Review
Sydney Morning Herald
Rating: 2/5 --
Through it all Keaton furrows his brow with impressive intensity. But his efforts are hampered by a script which requires him to do the exact opposite of what any right-minded individual would do in his circumstances.
Full Review
BBC.com
Product Description:
In the 1920s, Thomas Edison speculated that a device would be created which would allow humans to conduct conversations with the dead. In the 1970s, Sarah Estep picked up some mysterious voices on her husband's reel-to-reel tape recorder, and set up the American Association of Electronic Voice Phenomena (EVP) to help track the phenomenon. In 2005, following a welter of evidence gathered by Estep and others, EVP forms the backbone for director Geoffrey Sax's shocking feature film WHITE NOISE.
Architect Jonathan Rivers (Michael Keaton) has little time to mourn the passing of his wife Anna (Chandra West) when he starts receiving signals from her. A faint sound of her voice is caught by Rivers in radio static on the night of her death, followed by incessant cell phone calls coming from Anna's old number. Rivers is convinced he can hear Anna's voice saying "go, Jon" to him in the resulting calls. With a little help from expert EVP practitioner Raymond Price (Ian McNeice), Rivers contacts Anna and begins a hazy dialect with her. From the garbled dialogue Rivers receives, he deduces that Anna is sending him to save the lives of people who are about to die. This joins Rivers, in his plight, with a former client of Price's, Sarah Tate (Deborah Kara Unger). However, meddling with messages from the dead leads the pair into a world of trouble, producing some startlingly anxious moments, and a spine-chilling forewarning of the possible consequences facing real-life users of EVP.
Architect Jonathan Rivers (Michael Keaton) has little time to mourn the passing of his wife Anna (Chandra West) when he starts receiving signals from her. A faint sound of her voice is caught by Rivers in radio static on the night of her death, followed by incessant cell phone calls coming from Anna's old number. Rivers is convinced he can hear Anna's voice saying "go, Jon" to him in the resulting calls. With a little help from expert EVP practitioner Raymond Price (Ian McNeice), Rivers contacts Anna and begins a hazy dialect with her. From the garbled dialogue Rivers receives, he deduces that Anna is sending him to save the lives of people who are about to die. This joins Rivers, in his plight, with a former client of Price's, Sarah Tate (Deborah Kara Unger). However, meddling with messages from the dead leads the pair into a world of trouble, producing some startlingly anxious moments, and a spine-chilling forewarning of the possible consequences facing real-life users of EVP.