Pulp Different Class

Included in Rolling Stone's "Essential Recordings of the 90's."
4 Stars (out of 5) - "...a brilliant, eccentric, irresistible pop album about fucking and fucking up..."
Ranked #1 in Spin Magazine's "90 Greatest Albums of the '90s."
Ranked #3 on Spin's list of the "20 Best Albums Of '96."
9 (out of 10) - "...Jarvis Cocker [is] the most observant, quotable British lyricist since Morrissey and Neil Tennant....Pulp elevate themselves to a level...supportive of Cocker's minutely detailed narratives and excessively theatrical delivery. The new-wave arrangements stay focused..."
4 stars out of 5 -- "[A]n album that deserved its huge success. It defined the mood of the day."
Ranked #4 in Q Magazine's "10 Essential Reissues Of 2006."
Ranked #23 in Q's "Best 50 Albums of Q's Lifetime"
Included in Q Magazine's "90 Best Albums Of The 1990s."
Included in Q's 50 Best Albums of 1995.
Ranked #46 in Q's "100 Greatest British Albums"
4 Stars (out of 5) - "...the range of DIFFERENT CLASS is impressive: 'Live Bed Show' is the sort of brooding ballad Nick Cave might favour...tracks such as this and 'Feelings Called Love,' render more redundant than ever the view of Pulp as kitsch..."
5 stars out of 5 -- "Middle-class snobbery, the beauty and banality of rave and the endless cycle of hedonistic desperation are all grist to the tragicomic mill."
"...a vivacious extravaganza of mod, melodramatic fun..."
Tied for #1 on Melody Maker's list of 1995's 'Albums Of The Year.'
Bloody Essential - "...at once richly evocative of a quintessentially English pop past and yet as irreducible, idiosyncratic and NOW! as...The Smiths in their heyday. Pulp, in fact, are The Smiths if they hadn't been so appallingly disco-phobic..."
Village Voice (2/25/97) - Ranked #10 in the Village Voice's 1996 Pazz & Jop Critics' Poll.
Ranked #39 in Mojo's "100 Modern Classics" -- "[T]his was a bigger and brighter work, with brilliantly drawn, era-defining vignettes..."
Ranked #7 in NME's 'Top 50 Albums Of The Year' for 1995 - "...A call to arms for the misfits and the misunderstood..."
Pitchfork (Website) - "The genius of "Common People" is the way its fist-punch chorus and frantic surge rouses unity and release even as its socially acerbic lyric speaks of division and tension."