Take the Money and Run (Blu-ray) PG
Crime lives!
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Blu-ray Details
- Rated: PG
- Run Time: 1 hours, 25 minutes
- Video: Color
- Encoding: Region A
- Released: October 10, 2017
- Originally Released: 1969
- Label: KL Studio Classics
Performers, Cast and Crew:
Starring | Woody Allen & Janet Margolin | |
Performer: | James Anderson, Jacquelyn Hyde, Jan Merlin, Lonny Chapman, Mack Gordon, Howard Storm & Marcel Hillaire | |
Directed by | Woody Allen | |
Edited by | Ralph Rosenblum, James Heckert & Ron Kalish | |
Screenplay by | Woody Allen & Mickey Rose | |
Composition by | Marvin Hamlisch | |
Produced by | Charles H. Joffe | |
Director of Photography: | Lester Shorr | |
Executive Production by | Sidney Glazier |
Entertainment Reviews:
Whatever its genesis, Allen's scraggly rhetoric evolved into the dominant comic style of the 70s.
Full Review
Chicago Reader
Rating: 3.5/4 --
Woody Allen's first directorial achievement is a frequently hilarious, sometimes misfiring satire of crime movies.
Full Review
TV Guide
A few good laughs in an 85-minute film do not a comedy make.
Full Review
Variety
A work of despairing acuity dressed up as a skittering gagfest.
Full Review
CinePassion
Rating: 3/5 --
Rosenblum even suggested the use of New Orleans jazz on the soundtrack, which became a staple of future Allen projects.
Full Review
Empire Magazine
Rating: 3.5/5 --
Allen has made a movie that is, in effect, a feature-length, two-reel comedy -- something very special and eccentric and funny.
New York Times
Rating: 2.5/4 --
Woody Allen's Take the Money and Run has some very funny moments, and you'll laugh a lot, but in the last analysis it isn't a very funny movie.
Full Review
Chicago Sun-Times
Product Description:
Although it followed his WHAT'S UP TIGER LILY (which was mostly just a humorous redubbing of a Japanese spy film), TAKE THE MONEY AND RUN was truly Woody Allen's directorial debut. After spending years writing gags for television comedies and as a stand-up comedian, Allen began to appear in films in the mid-1960s. He developed some frustration with the way his writing was being used and decided to make films himself, with the result being TAKE THE MONEY AND RUN. Allen plays Virgil Starkwell, the world's most inept thief, as an early version of the nebbish, neurotic persona he would later perfect. The film combines two formal styles; in part it is played as a documentary about Virgil's life and his turn to crime, with a voice-over narration and interviews, but many of the scenes are shot like a standard fiction-comedy feature.
Although in light of Allen's later work the film may appear a bit crude, many of the elements of his filmmaking and comic style are evident in it. In common with his other early works (such as BANANAS and SLEEPER) the plotting is very loose, as the narrative exists mostly as a skeleton on which to hang a series of gags and jokes. The influence of fellow Jewish comedians the Marx Brothers is fully evident in that structuring principle (Allen even goes as far as to have a scene where Virgil's parents disguise themselves in interview with false Groucho glasses), as well as in the combination of verbal quips with slapstick visual gags (such as Allen attempting to play the cello in a marching band). Although TAKE THE MONEY AND RUN seems a bit simplistic, it still retains its comedic effect and offers an early view of Woody Allen's later filmmaking style.
Although in light of Allen's later work the film may appear a bit crude, many of the elements of his filmmaking and comic style are evident in it. In common with his other early works (such as BANANAS and SLEEPER) the plotting is very loose, as the narrative exists mostly as a skeleton on which to hang a series of gags and jokes. The influence of fellow Jewish comedians the Marx Brothers is fully evident in that structuring principle (Allen even goes as far as to have a scene where Virgil's parents disguise themselves in interview with false Groucho glasses), as well as in the combination of verbal quips with slapstick visual gags (such as Allen attempting to play the cello in a marching band). Although TAKE THE MONEY AND RUN seems a bit simplistic, it still retains its comedic effect and offers an early view of Woody Allen's later filmmaking style.