"A social document of amazing vitality and emotional impact!" - The New York Times

Lost souls, haunted by vice, seek a better future on an gritty "back to the land" commune in King Vidor's Great Depression epic drama. Idle masons, plumbers and carpenters are put to work creating, while former white-collar professionals are retrained in the art of manual labor. But all utopias have a dark side. Despite the overriding pioneering spirit; lust, proffering and deceit tarnish the ideals of the freethinking farmers while frustration and hopelessness corrode their dreams. The earthy love of a good woman inspires a sweeping climax as the community is forced to work together or face ruin.

A mid-period film by legendary director King Vidor (The Big Parade, Street Scene, Duel In The Sun), Our Daily Bread is evocative depression-era propaganda, made outside the mainstream studio system, as a way of inspiring thousand of dissolute moviegoers looking for a way out of poverty.

Another example of King Vidor's preference for the simple virtues of rural life, this film's advocacy of collectivism might seem to give the theme a political twist, although it was attacked by elements of both the left and the right. Set during the Great Depression, OUR DAILY BREAD stars Tom Keene and Karen Morley as John and Mary Sims, a couple who decides to leave the city to work a plot of land given them by Mary's uncle. In due time they're joined by a number of other people marginalized by the depression until they eventually find themselves with a working cooperative farm. When John expresses a willingness to give over the control he's been exercising to the other co-op members--except for one dissenting voice--they affirm his leadership. Predictably, problems begin to present themselves. The co-op is unable to get a bank loan and must struggle along on so little that even the stalwart John becomes despondent--so much so that he temporarily takes off with Sally (Barbara Pepper), a woman who has been energetically pursuing him. A film made outside studio control with a cast of mostly nonprofessionals, OUR DAILY BREAD remains a fascinating document of the time. Particularly notable is the concluding sequence that features the rhythmic, Eisensteinian editing of the digging of an emergency irrigation ditch.